The group’s collaborative activities were carried out largely in secret, a deliberate choice that reflected its nihilistic, anti-art stance. Knifer’s turn to the meander coincided with his involvement with the proto-conceptual artist group Gorgona, active in Zagreb from 1959 to 1966. By contrast, Knifer’s meander is insistently monotonous and unoriginal, becoming increasingly meaningless through its endless repetition. The reductive geometric form of the meander was an ironic response to both the neo-constructivist geometric abstraction that dominated Croatian art of the late 1950s and 1960s and the utopian aspirations of prewar avant-gardes, who equated the pursuit of formal purity with transformative social progress. Knifer conceived of the meander works as a form of “anti-painting,” in which he would repeatedly execute permutations on a readymade system. It does not store any personal data.In 1959, Julije Knifer arrived at the basic compositional format that he would use exclusively for the rest of his life: a minimal meander motif in white on a black background, or vice versa. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". ![]() This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Phone before visiting to arrange an appointment with the artist. Nottingham Road Brewing Company (0 – S29° 22′ 31.5″.Groundcover Leather Company (0 – S29° 23′ 18.6″.Please Note: Midlands artists are frequently in their studios, and so it is necessary to phone ahead to book an appointment if you wish to meet with them – their entries are marked accordingly. They value the opportunity to go to the studios or workshops of some of the finest craftspeople in the world, to meet with them, to talk to the artist or the leatherworker who has made a unique and original item that is priceless and can never be duplicated. ![]() People (perhaps ‘Our visitors, friends and relatives’ come to the Meander to escape: to immerse themselves in the country experience – seeking the authentic, the genuine. It excels in “slow tourism”, where the emphasis is on the experience of the Meander community in the beautiful countryside – and the welcoming Midlands folk. Thirty years on, the Meander is known worldwide for its superb handcrafted goods and fine arts. The idea of the Meander grew and member numbers grew. ![]() They decided to invite the public to visit artists in their countryside studios twice a year at Rolling Exhibitions. Things began on a summer’s evening at Caversham Mill in 1985, when the Shuttleworths, who were weavers Robin and Joy Standing, potters Ian Glenny and Kali Griffin, potters Wim, a painter and Tina de Roubaix, a batik artist Leonie Malherbe and Lindsay Scott, potters and David and Michelle Walters, also potters, met to discuss how to work together and to market their work jointly. The Midlands Meander offers a country respite from the fast pace of city life, as well as showcasing some of the best arts and crafts in the world. Its purpose hasn’t changed much over the years. 2015 marked the 30th Anniversary of the founding of the Midlands Meander Association.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |